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Clarence E. Wheeler (September 27, 1885 – December 28, 1966) was an American musician and composer. He created the music for many of ''Woody Woodpecker'' series cartoons under Walter Lantz Productions along with films in the 1940s. Wheeler was born in Walnut, Kansas.〔''The Heritage Encyclopedia of Band Music: Composers and Their Music, Volume 2'' By William H. Rehrig, Paul E. Bierley〕 He formed an orchestra which appeared on the radio in Chicago in the 1930s, playing on ''The Terminix All-Star Program'' in May 1933 on WBBM.〔Exterminators log, Volumes 1-2 By National Pest Control Association〕 He was music director of the station from 1935 to 1938 and was replaced by Caesar Petrillo,〔''That Toddlin' Town: Chicago's White Dance Bands and Orchestras, 1900-1950'', Charles A. Sengstock〕 brother of future American Federation of Musicians boss James Petrillo. He arrived in Hollywood that year and began writing music published by Alberto Colombo. Among his compositions were ''Cinemaland Parade'', ''Silhouette in Rhythm'', ''Sing For Our Fallen Brave''.,〔''Catalog of Copyright Entries, Part 3'', Library of Congress (1938)〕 ''There Must Be a Way'', ''Hey There, Mr. Labor'', ''That Night in Donegal'', ''Tiny Little Big Shot'', ''Hello Broadway, London Calling'', the last four with James J. May.〔''Catalog of Copyright Entries, Part 3'', Library of Congress (1941)〕 He soon went into scoring short films. His first credit was in the 1941 Columbia Pictures release ''Broken Treaties'', directed by former Warner Bros. animator Paul Fennell, where radio commentator Raymond Gram Swing reviewed the history of the invasion of Poland.〔''Boxoffice magazine'', Feb. 21, 1942, pg. 98〕 He was hired in 1944 by George Pal to provide the scores for his Puppetoons〔''Boxoffice magazine'', June 3, 1944, pg. 66〕 and live-action shorts such as ''This is Oil'' (1949),〔''Film Superlist: Motion Pictures in the U.S. Public Domain, 1940-1949'', Walter E. Hurst, D. Richard Baer〕 released by Paramount Pictures. Wheeler also worked on features, providing orchestrations for the all-star extravaganza ''Tales of Manhattan'' (1942)〔''Boxoffice magazine, Feb. 27, 1943, pg. 31〕 and a number of the ''Blondie'' movies〔ASCAP composers database, http://www.ascap.com/ace/search.cfm?mode=search〕 released by Columbia in the 1940s. Wheeler also scored for early television programs, being hired by Jerry Fairbanks to write music for the series ''Public Prosecutor'' in 1948.〔Billboard, April 17, 1948, pg. 34〕 That same year Wheeler also created the original opening and closing theme for the animated series ''Crusader Rabbit, adapting and arranging the folk melodies The Trail to Mexico (known on cue sheets as "Rabbit Fanfare") and Ten Little Indians (known as "Main Title Rabbit").〔ClassicThemes.com, http://www.classicthemes.com/50sTVThemes/themePages/crusaderRabbit.html〕 Some of Wheeler's film music was recompiled as stock music and leased to television producers, for airing on programs such as ''Topper'', ''The Untouchables'', ''Wyatt Earp'' and ''Gumby.'' His first animated cartoon score was ''The 3 Minnies: Sota, Tonka and Ha-Ha!'' (1949),〔http://www.imdb.com/title/tt0153043/fullcredits〕 distributed by Republic Pictures. When Walter Lantz re-opened his studio in 1950 he hired Wheeler to score all his cartoons, almost 140 in total, beginning with ''Puny Express'' through ''The Nautical Nut'', which was released in 1967 after Wheeler's death. ==References== 〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Clarence Wheeler」の詳細全文を読む スポンサード リンク
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